How a girls' basketball coach raised over $30,000 selling sponsorships to local businesses: the tiered packages, the two-hour telethon night that pulled in $12,000, and the tracking habit that keeps you from burning your community.
Robert Harmon coaches the girls' basketball team at American Fork High School in Utah. He also teaches a full schedule, so most days he's wearing three or four hats before lunch. When his program needed money, and at a high school it always does, he needed a way to raise it that wouldn't take much of his time. He landed on selling sponsorships to local businesses: a logo on the gym screens, a full page in the printed program, a shout-out at the game. The money comes from businesses buying real, year-round exposure, so the effort per dollar is low and the checks run bigger. It runs, in his words, "as simple as a text message, an email, a quick phone call, all from your couch." Over the year that, plus a couple of things layered on top, brought in more than $30,000 across 230-some separate transactions, twelve thousand of it in a single two-hour night. I wanted to know how a coach with no spare time builds something that big, so I called him.
He walked me through the whole thing in order. What he described is the most repeatable version of a sponsorship drive I've come across, and the part that stuck with me is how little of it he does himself.
Start with the definition, so we're all working from the same picture. A sports sponsorship fundraiser is when a team raises money by selling advertising and recognition to local businesses, instead of asking families to buy products. Businesses pay for things like a logo on the gym screens, a full page in the program, or a game-night shout-out, usually in tiers that run from a few hundred dollars up to a few thousand. Because the money comes from businesses buying real, year-round exposure, the effort per dollar is low and the totals run high.
What moves the numbers is that you're talking to a different part of the community. A business can write a bigger check and get something real back for it, so you're not returning to the same families for another donation. That single shift, from asking families to give to asking businesses to advertise, is why Robert's totals look the way they do.
If it were me, I'd start with what Robert did with his sponsors. American Fork doesn't have the usual banners hanging in the gym. It has TV screens placed around the building, and a sponsorship buys you a spot on the loop. That sounds like a small detail until he explains the kicker: the town has no rec center, so 99% of the time, any community activity, youth league, junior jazz game, rec ball, happens in his building. The screens run year round, not just during basketball season. A business that sponsors isn't buying eyeballs at a few home games. It's buying a year of exposure to everyone in American Fork and every surrounding town that comes to play there.
So when his crew pitches a sponsorship, that footprint is the pitch. Look at how much traffic comes through this building. Look at how many of those people will see your logo, all year, from every town around us. At American Fork, the thing worth selling isn't a banner, it's a year of exposure on those screens to a whole town that has nowhere else to play. The transferable idea, I think, is that most schools already own something a business would pay to reach, and the job is to find yours and sell that. Maybe it's a marquee on a busy road, a packed Friday-night football crowd, a program handed to every family, a scoreboard. Robert played his school's specific strength. If it were me, I'd start by asking what only my school can offer, and lead with that.
Robert doesn't have one price. He has a ladder, the same tiered setup a lot of sponsorship programs use, and he works it well. The bottom rung is a $500 package: a spot on the screens. The top is $2,500, which gets you the screen, a full page in the printed media guide that goes out at both boys' and girls' games, and announcements before games. In between, the package flexes by how long and how often your loop plays, a fifteen-second rotation instead of a five. Give more, get more airtime. It lets a business pick its own level instead of facing one take-it-or-leave-it number.
Then he adds two more rungs below the sponsorships, in the same campaign. There's a plain donate button, so grandma can give twenty dollars without buying a package at all. And there's a shout-out tier: give over $100 and your name goes in the printed media guide under local supporters, even if you didn't buy a full sponsorship. That last one is legit: people read the guide, see a name they don't recognize, and think "maybe I should do that next year." The tiers, the shout-out level, and the donate button all live in one campaign, so every giver has a door, from a $2,500 company to a $20 grandma. Nobody gets turned away for giving the "wrong" amount.
Robert is grateful about how this works: he is not the one making the calls. Everyone wants the coach in the gym with the kids, not on the phone with the tire shop, so he built a structure that runs without him. One assistant coach owns the fundraiser outright. A head parent is the connector between the coaches and the rest of the families, the one who actually texts the other parents. And the players do the legwork, because the real magic is a kid saying "I made the team, here's a link, any amount helps" to everyone their family knows.
The head parent keeps a shared list of who's been asked and who's given, which does two jobs at once. It stops the team from hitting the same business or the same neighbor for the fifteenth time, and it lets Robert check progress by asking the parent, not by chasing every kid every day. What lets Robert stay focused on coaching is that he isn't the fundraising department. He delegates it to an assistant, a head parent, and the kids, and keeps a single shared list so nobody steps on anybody. Built this way, the fundraiser runs on its own and leaves his coaching time alone.
Now the fun part, and the spike. Alongside the business sponsorships, Robert runs a second track aimed at the community, friends, family, anyone the girls know. It's a crowdfunding push built around one live telethon night, and it's where a big chunk of that $30,000 comes from, right next to the sponsorship money. About midway through the drive, he holds that "fundraiser night." All the girls come in, he splits them into two teams, orders pizza, and for two hours it's a party with a scoreboard. Each side calls and texts every single person they know, grandma, aunts, uncles, a parent's old boss, with a copy-and-paste script: "I made the basketball team, we're running a fundraiser, anything you can give helps." A running stat on the campaign shows which team is ahead. There are little gift bags for the winners. The girls sit there beating each other's totals, "who can beat grandma's two hundred?", watching the ticker climb. Being able to give by Venmo from a phone, not just by card, matters when the whole ask takes thirty seconds. In those two hours this year, they raised twelve thousand dollars.
Two things make that work. First, it's a low-pressure ask, not a hard sale. Anything helps, no big deal if you can't, on to the next text. Second, the competition and the live number do the motivating. At American Fork, the highest-yield stretch of the whole drive was a two-hour telethon night, because a low-pressure ask plus a live, visible scoreboard moved more money in two hours than weeks of individual asks. Robert's boys' program, several years deeper into this, has done close to $30,000 in one of these nights. The girls did $12,000 their first real year. That gap is just reps.
Looking across the whole conversation, I count four things carrying Robert's system. The first is that the ask goes to businesses, not back to families. A business can write a bigger check and gets real, year-round exposure for it, so the effort per dollar stays low. The second is the ladder: a $2,500 company, a $100 shout-out, and a $20 grandma all have a door, which lifts the top line without turning anyone away.
The third is that Robert isn't the one making the calls. He hands the work to an assistant coach, a head parent, and the players, so the drive runs without taking over his schedule, and one shared list keeps the team from asking the same business twice. And the fourth is the telethon night, where a friendly competition and a live, climbing total pull the single biggest chunk of the year into two hours. Take any one of these out and the thing gets smaller or costs Robert his time.
If it were me, I'd copy the structure whole: sell exposure to businesses instead of products to families, build a ladder from a small donate button up to a few-thousand-dollar package, hand the work to an assistant and a head parent and the kids, keep one shared list of who's been asked, and run one timed competition night in the middle of the drive. None of that depends on Robert's particular school.
What's specific to American Fork is the asset itself. The rotating TV screens, and the fact that the town has no rec center so nearly every youth game runs through Robert's building, are his school's own advantage, not a template. The $500-to-$2,500 numbers are his market's, too. The transferable idea, I think, is to find the thing only your school offers a business, a marquee, a Friday-night crowd, a program in every family's hands, and set your tiers to what your market will bear.
I asked Robert for the one pitfall to warn people about, and his answer wasn't about money, it was about restraint. In a tight community, every program is fishing the same pond. Football and soccer already hit the local businesses back in August. So when basketball rolls around in December and a kid knocks on a business for the fifteenth time that season, the answer stops being "sure" and starts being "please leave us alone." Worse, those businesses talk. One annoyed owner tells a friend "if American Fork calls, don't answer," and now the well is poisoned for everyone, including next year's you.
The fix is the same humble list from before, used with discipline. Document every business and neighbor you've contacted, how much they gave, and whether they already said no, so you never ask the same person twice and never burn a relationship the rest of the school needs. Robert takes it a step further: he wishes the programs coordinated, that football, soccer, and basketball shared one master list at the athletic-director level. That's aspirational, but the per-team version isn't optional. The community is a renewable resource only if you don't strip-mine it.
One more thing he learned the hard way, and it's about people, not logistics. His first year, parents were hesitant. They didn't get why they suddenly had to fundraise, and a few pushed back. Then the season ended and they saw what the money unlocked: new jerseys, travel gear, an out-of-state tournament with no extra $200 ask from each family. Now those same parents are saying "had I known, I'd have pushed harder." At American Fork, first-year buy-in was soft; it was the second year, after families saw exactly what the money bought their kid, that the thing compounded.
The numbers, as Robert gave them: more than $30,000 across the year, 230-some separate transactions, with a two-hour fundraiser night accounting for $12,000 of it. Sponsorship packages ran $500 to $2,500, with a $100 shout-out tier and an open donate button below them. The boys' program, several years deeper in, has done close to $30,000 in a single night; the girls did $12,000 in their first real year.
The effort behind it: an assistant coach owns the fundraiser, a head parent connects the families and keeps the shared list, and the players do the asking. Robert's own time goes mostly to setup and to checking progress through the head parent, not to making calls. The one recurring job that can't lapse is the list, tracking who's been asked and who's given, so the same businesses don't get hit twice.
At a glance: American Fork girls' basketball, a Utah high school program in its first real year on the girls' side. Sponsorship packages from $500 to $2,500 (logo on the gym's rotating TV screens, a full page in the printed media guide, game-night announcements), plus a separate donate button and a shout-out tier for donations over $100. More than 230 transactions. A two-hour midway "fundraiser night" split the team into two competing sides and brought in $12,000 on its own. Total raised: over $30,000. The boys' program, several years in, has done close to $30,000 in a single night.
I've never coached a varsity team while teaching a full load and fundraising on top of it, and I can only imagine what that season feels like. Robert lives it, so I'll take his word: sell exposure to businesses instead of products to families, and hand the work to the people around you so the drive runs without you. At American Fork, that structure turned a busy coach's spare minutes into more than $30,000, most of it raised by everyone but the coach.
Sponsorships are their own category, with more across many programs in our school sponsorship fundraiser guide. For a bigger event built on the same sell-advertising-not-sympathy logic, our playbook on the sponsors-first golf tournament runs a similar ad ladder.
Planning a sponsorship drive for your program? SuccessFund gives school teams one place to set up tiered packages and a donate button, collect by card or Venmo, and watch results climb live, and it's free for schools. See how it works on our school sponsorship fundraisers page.
A sports sponsorship fundraiser is when a team raises money by selling advertising and recognition to local businesses, instead of asking families to buy products. Businesses pay for things like a logo on the gym screens, a full page in the program, or a game-night shout-out, usually in tiers from a few hundred dollars up to a few thousand. Because the money comes from businesses buying real, year-round exposure, the effort per dollar is much lower and the totals are much higher. One girls' basketball program in Utah raised over $30,000 this way in a single season.
A common, workable range is $500 at the bottom to $2,500 at the top, with the price tied to what the business gets. At American Fork High School, $500 buys a spot on the gym's rotating TV screens; $2,500 buys the screen plus a full page in the printed media guide handed out at games plus game-night announcements. In between, packages flex by how long and how often the sponsor's ad plays (a fifteen-second rotation instead of five seconds). Letting businesses pick their level beats offering one take-it-or-leave-it price.
You don't need physical banners. American Fork puts sponsors on TV screens placed around the building, on a rotating loop, instead of hanging banners. The screens run during every event the school hosts, all year, not just basketball season. The broader point: figure out the specific thing your school already offers that a business wants exposure to, a marquee, a packed crowd, a program, a scoreboard, a podcast, and sell that. The schools that raise the most sell the asset only they have.
Lead with the footprint. The pitch at American Fork is "look how much traffic comes through this building and how many people, from our town and every surrounding town, will see your logo all year." Because the school has no rec center, nearly every community activity happens there, so the audience is the whole region, not just one fan base. Businesses sponsor because they want to be seen, and a school with year-round community traffic is an easy place to be seen.
Hold a timed group "fundraiser night." Split the team into two competing sides, order pizza, and for about two hours have every player call and text everyone they know with a short copy-and-paste script ("I made the team, we're running a fundraiser, anything you can give helps"). Keep a live running total showing which side is ahead, and hand out small prizes to the winners. One girls' basketball team raised $12,000 in a single two-hour night this way. A low-pressure ask plus a live, visible scoreboard moves more money in two hours than weeks of one-off asks.
Delegate it completely. Don't be the fundraising department. At American Fork, one assistant coach owns the fundraiser, a head parent is the connector who texts the other families, and the players do the actual asking. The coach checks progress by asking the head parent, not by chasing every kid every day. A shared spreadsheet keeps everyone coordinated. If running the fundraiser costs you your season, the structure is wrong.
Turn it into a competition with a live scoreboard. When the team is split into two sides and a running total shows who's ahead, the kids stop "dialing for dollars" and start trying to win. They beat each other's totals ("who can beat grandma's $200?") and watch the number climb. The competition and the visible number do the motivating, so it feels like a party with pizza, not a chore.
Not tracking who you've already asked. In a tight community, every program, football, soccer, basketball, fishes the same pond, and the same businesses and neighbors get hit repeatedly through the year. Ask the same business for the fifteenth time and you don't just get a no, you risk them telling others not to answer, which poisons the well for the whole school. Document every business and neighbor contacted, how much they gave, and whether they already declined, so you never double-ask and never burn a relationship the rest of the school needs.
Expect soft buy-in at first and let results convert them. At American Fork, parents were hesitant the first year and questioned why they suddenly had to fundraise. Then they saw what the money unlocked, new jerseys, travel gear, an out-of-state tournament with no extra per-family fee, and the next year the same parents said "had I known, I'd have pushed harder." Show families exactly what the money bought their kid, and second-year buy-in takes care of itself.
American Fork keeps the campaign open the whole season so anyone who can't give this month can give later, while concentrating the energy into one midway "fundraiser night" for the big push. A long open window removes the "you missed your two-week chance" problem, and the single timed event creates the urgency and the spike. You get both: a low-pressure runway and one high-yield night.
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